What do we really expect from newly produced contemporary art nowadays? In the artwork, juxtaposition is the protagonist: textures, effects, grain, abstraction, and disjointed images taken from VHS, tapes, and even Super 8 films clash with each other during four surrealistic, chaotic minutes.

In the exhibition that La Plataforma now presents, Joaquín Urbina will show the new audiovisual artworks that integrate the same project, in which collages and appropriated cut-up images are still the unquestionable protagonists. I almost want to shove who I am and what I am in people's faces, and I am not ashamed.

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The video "Joa" is a continuous experimental research on gender and self-expression. This exploration started through conversations about what it means to identify as a woman without falling into the binary logic of today's society. Over time, it has evolved into a project that portrays powerful beings at their rawest and that gives the freedom to express oneself through movement and colour. The video explores what it means to have a body, to break social norms and to embrace originality, and it talks about the constant fetishising with which we treat anything that is different according to social standards.

A real action and a poetic projection are articulated during the time of a dinner in which the artist and the guests subvert their perspectives as subjects in a balance, that of an action of material, spiritual and creative consumption. The participants eat, touch and drink, interacting as models, spectators and actors who can stage with their own body, with other participants and with the objects on the table the painting, an ephemeral still life, which is projected before them on the wall.

The canvas, in its utilitarian function as a tablecloth painted in oil, is projected onto the wall as a cosmos that synthesises a universe with two perspectives: one immanent and one transcendent. The time of what is large, consumed, digested, organic, tactile and visible, or the time of what is small, the set of all the parts in the projected picture. Time is the harmonic dimension that, for millennia, art has learned to contemplate as a fundamental value of our human survival, in a desired harmony. Heraclitus spoke about the "Eternal return", Schopenhauer affirmed that "the only immutable thing is the change".

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The works of Brigitta Both, Rita Sala and Roger Abella review this topos and invite us to caress the absolute in the short space of their videos. Philautia means self-recognition and love towards oneself. It implies the reconciliation of what one is with one's own existence, and practicing it implies leaving aside self-pity. A declaration of principles to reconcile two identities, inalienable and complementary but conflicting, in which philautia struggles to prevail. Peter Downsbrough, lives and works in Brussels.

A versatile artist, he has worked with multiple mediums over the course of his career. After initially studying architecture, he began to produce sculptural works, works on paper, photographs, films, and books. Downsbrough maintains a complex relationship with architecture and typography, while also drawing on the achievements of the early avant-garde Bauhaus, De Stijl and Minimal Art. In terms of form, his is highly rigorous and exhibits a powerful geometric sense, restricting itself primarily to the use of line, plane, negative space cutting away , and delimitation.

At the core of his oeuvre we find an investigation of place and the viewer's relationship to architectural surroundings. This investigation of spatial rhythms and linear geometry also appears prominently in his black and white photographs of urban cityscapes. Urban Gallery presents the work of three artists: —Èric Antonell. Estacions i devastacions ["Stations and Devastations"], an abstract animation that illustrates the creation and evolution of Planet Earth until its destruction.


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Binomi ["Binomial"] is a video performance that originated from a previous work by the same artists: Vishuddha Istanbul, , which consisted in non-verbal communication based on colours. The video recording of the reproduction of the recording of the action dialogue with colours. Ultimately, the real action consists in this complex video. This performance is only possible videographically, by showing the recording and reproduction devices. Cuba Linda ["Pretty Cuba"] and Broken Pots, two animated films that illustrate the possibility of production at zero cost: materials such as cardboard or plastic, public domain sound patterns, found ceramic fragments The new way of socialising in the contemporary technological world, in which attention is focused on the need to seek another way of experimenting life.

Establishing new, transgender bonds in order to find the essence of being, new scenarios where morals are not the rule to follow, but rather free love in an artistic environment. This exhibition is part of La Solitaria, a periodical exhibition cycle in which the artists working at the studio each do a solo show. The animated objects are mechanical elements which, when placed out of context, evidence their need to be in correspondence and proximity, which brings us closer to reflections on the philosophy of technique.

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